Colin Fleming

LMPC via Getty ImagesNo matter what the Beatles created, the world never seemed ready for what that was. You only knew that it would be different than anything before. Had you loved the band’s last album, you were also aware that the one about to hit record store shelves would be a departure, a moving-on from what already existed. The Beatles both challenged and rewarded listeners this way, which is among the best things about them.That surprise factor existed from the start with a single like “Please Please Me,” and, of course, “She Loves You,” a song that feels as if you’re hearing it for the first time after you’ve heard it a thousand times. The albums startled as well: Please Please Me had the gumption to function as a cohesive statement and not merely a couple of hits fleshed out with filler, while sophomore outing With the Beatles was a rhythm and blues masterwork from the industrial cities of America via the ports—and the musical melting pot—of the Beatles’ Liverpool.If you were around back then, you may have believed that the Beatles were about to settle in, and what they did going forward, for however long they managed to last, would be variations on that marvelous output to date. But this was not the Beatles way, and it was certainly not the way of A Hard Day’s Night, the album they released on July 10, 1964, and the best they ever made.Read more at The Daily Beast.

Disney+Perhaps no major band has ever been hounded by such a highly prescriptive sense of expectation as the Beach Boys. For millions of listeners, they were a group whose primary function—and job—was to deliver catchy hits of surf and sun, cool cars, and trips to the movies with your “steady.” Because that’s what they had done so well from their very first recordings.The music within the grooves of those early records enveloped the listener in a gold and blue world of warmth, water, wakefulness, the possibility of the new day. The Beach Boys’ music spoke—sang—to joy, with songs that functioned as an open invitation to lend one’s own voice to them, never mind that they featured the harmonies of the gods. You simply felt good listening to the Beach Boys.Then there are those in the know, who realized somewhere along the Beach Boys’ journey that this was music as adventurous as a dream. That idea of the oneiric state—and all the wonder to be sourced therein—is the key theme of directors Frank Marshall and Thom Zimny’s two-hour-long Disney+ documentary, The Beach Boys. It arises again and again, as if these Beach Boys were purveyors of the kind of clarity that originates with mystery, rather than singsong simplicity.Read more at The Daily Beast.